Pure Cashmere Mules The Row Cashmere Knit

A Complete Guide to The Row Bags and the Line

Nearly all luxury bags broadcast who made them before you have taken in the shape. The Row declines to do that, and that single choice explains almost everything that follows in how the bags are designed, priced and resold. Mary-Kate and Ashley Olsen started the house in 2006 and named it after Savile Row in London, the street that gave tailoring its vocabulary of restraint. The label is run out of New York City, with a design studio in Tribeca since 2012, a Paris office opened in 2011 and a London office added in 2019. Own-name boutiques are found in Los Angeles, New York, London, Paris and Amagansett, while everything else is handled by the brand’s own webstore and a deliberately small list of stockists. This row bags overview lays out the groups worth knowing, the specifications that separate them and the cost of each. Since the brand publishes no master price list, every figure below should be read as a market price observed in 2026 rather than an official price.

How to Identify a The Row Bag When There Is No Logo to Read

The line carries no exterior logo plaque and no monogram, so you read these bags by silhouette, proportion and construction instead. A small, discreet exterior stamp rides low on the side and is intended to blend into the leather rather than break it up, with a second stamp set inside. Palladium-plated hardware is finished matte or brushed, absorbing light rather than throwing it across a room. Linings are treated as materials in their own right, with nappa, lambskin, calfskin and cotton herringbone appearing where most houses would print a logo jacquard. The rule that governs the tailoring, namely that a garment is judged by its line rather than its label, governs the bags too. For the Half Moon, Soft Margaux 10 and 12, Margaux Shoulder 12, the row fashion quilted shoulder bags Bourse Clutch and Terrasse To-Go, the brand’s own product pages state Made in Italy.

• No exterior plaque, monogram or branded hardware of any kind
• Matte or brushed palladium-plated metalwork in place of high-polish gold tone
• Nappa, lambskin, calfskin or cotton herringbone linings
• A small stamp low on the exterior side, plus a crisp one on the interior

Understanding the Margaux Family, and Why It Is Hard to Buy

The majority of buyers think of the Margaux first, and it is equally the most bewildering part of the collection to buy from right now. Recorded at $3,650, the Soft Margaux 10 is 100 percent calfskin with a matte grained finish and a cotton herringbone lining, measuring 10 x 7 x 7.5 inches with a 5-inch handle drop. Specification runs to an interior toggle closure, belted side gussets, protective metal feet and a removable shoulder strap. At $4,350, the Soft Margaux 12 holds that construction, grows to 12 x 9 x 7.5 inches and adds a zip pocket. The Margaux Shoulder 12 is a different proposition at $4,900, with a lambskin lining, elongated tubular handles, the signature adjustable buckles and narrowed gusseted side panels across 14.75 x 9 x 5 inches. There is also a Margaux 17 in leather and canvas at Selfridges, plus a Soft Margaux 15 in circulation, but no reliable retail price is documented for either. The original was pulled from third-party retailers during 2025 and the brand’s own site now shows the Soft and Shoulder versions instead; its discontinuation has been widely reported but never officially confirmed by the brand.

Totes, Top Handles and Shoulder Bags

As a first buy, the Park family leads, and it is the commercial backbone of the line. For the N/S Park Tote, Small is $1,550 to $1,620, Medium $1,650 to $1,950 and Large $1,990 to $3,250; the variable within each size is material and finish, not capacity. Small and Medium Park Tote run $1,450 to $1,620, the Park Tote Three occupies $1,750 to $2,400, and $2,490 gets you the XL Park Tote. Prices for a The Row tote bag rise steeply at the top: Marlo 14 $5,300, the Alger Tote $4,900, the Marco Bag $6,900. In the top handles it is suede that does the damage: $3,850 for India 10.00 in leather against $5,370 in suede, and Agnes 15 at $5,000, $5,800 and $4,300 in leather, suede and a canvas blend. Elsewhere, Ida is $3,990, Elise and Agnes 12 both $4,400, the Iowa Duffle $5,180, and Idaho holds down the value end at $1,420. Shoulder styles spread just as widely, from Lori at $1,350 and the 90’s Shoulder at $1,450 up through Alix at $1,900, Parker at $2,900 and Jean Shoulder at $3,900.

Small Bags, Clutches and the Entry Tier

The most affordable row handbags are not stripped-down versions of the expensive ones; they are smaller problems solved with the same care. The 90’s Bag comes in at $1,090 and has grown into the collection’s quiet cult object, while the Half Moon is observed at $1,390, with a leather variant listed at $1,690 at one stockist. Because sources conflict on the Half Moon’s dimensions, work from the official 8 x 13.5 x 2.5 inches and expect other listings to differ slightly. The Bourse Clutch, $1,590, makes the point about construction at the cheaper end: calfskin exterior, nappa lining, hinged frame closure, hidden adjustable shoulder strap, 10.2 x 6.5 x 2.3 inches, Made in Italy on the label. Below it come the Double Travel Wallet at $590, the Cecily Mini Tote and Ray Pouch at $950 and the Squared Compact Clutch at $1,390. Overhead come the Terrasse To-Go at $1,950, the Dalia Baguette at $2,700 and the Peggy Clutch at $2,900.

The Price Bands Summarised

Three bands describe the collection well enough to shop by, and they hold across every category. Most buyers meet the brand in the entry band, roughly $590 to $1,500. The Park totes, most shoulder bags and the better clutches live in the middle band, roughly $1,550 to $3,500. About $3,600 to $6,900 defines the top band, which contains the Margaux family, the India and Agnes top handles and the Marlo totes. Suede consistently carries a premium over calfskin on the same silhouette, which is a rule that cuts across all three bands. A second rule is simpler still: the number in a bag’s name is its width in inches.

Off the Shelf: Archive Models You Will Only See on Resale

A large part of the label’s reputation rests on bags no longer sold new, and knowing them changes how you read the secondary market. Head the list with the Bindle, a suede shape with raw-cut trims, a knotted detail and an open top reported to have retailed around $1,190, then the Bindle Three, whose padded handle and removable inner pouch are observed near $1,700. A structured calfskin flap bag with a metal lock closure and a two-compartment interior, the Sofia is observed on resale between roughly $2,200 and $5,668. The Devon is a compact structured top handle in polished saddle leather, with a top zip, a hidden shoulder strap and decorative stitching. The Camden combines grained or saddle leather with twin handles, a detachable strap, a magnetic closure and both patch and zip pockets, at approximately 9 x 12.5 x 5.25 inches. You will also come across the Ascot hobo, the Wander knot crossbody and the nylon Sling 15, none of which carry reliably documented retail figures.

Resale, Authentication and Care

Resale performance is unusually strong here, though treat it as observed market behaviour, not investment advice. According to the Rebag CLAIR 2025 report, The Row posted 97 percent brand-level value retention, crossing into the report’s unicorn tier of 85 percent and above for the first time and sitting behind only Telfar, Hermes and Goyard. Single styles did even better: the N/S Park Tote at 146 percent as the strongest performer, the Margaux Tote at 107 percent and the Half Moon shoulder at 106 percent. Not everything appreciates, though, and canvas, nylon, sisal and seasonal-colour pieces routinely discount, with the strength concentrated in black and neutral calfskin in the signature shapes. Searching for The Row for sale second hand involves judging stitching density, hand-painted edges, matte hardware and whether the bag holds its shape empty, since the brand operates no public authenticity coding. Care is dictated by the material rather than any brand-issued protocol: a soft dry cloth on calfskin, dry cloth only on nappa and lambskin, a brush and nothing wet on suede, and spot-cleaning alone for raffia and canvas.